Ken Whisson Essay Published Wednesday, January 02, 2002Whisson is an artist who explores the relationship between perception and the
handling of material; these qualities are synthesised to create visual poetic
narratives. Paramount to Whisson is the role of the artist's perception as
being a dynamic operation, rather than the action of copying what is seen. His
paintings can be seen as an integration of what is seen and felt and this is
the critical inner logic of his art.
Image: Ghosts on the lake, The Guest House, 70 x 80cm; oil on linen;
1992, 1994, 1995-96
The artist I'm saying has to learn from the philosophers, but here the
philosophers can learn and surely have learned, more fools to them if they
haven't, I feel, from the artist. Because the problem for both surely is to
find a new basis for metaphysics, for a transcendental world view, or to put it
better a metaphysical world view, allows for, or whose rationality allows for,
a sense of the full depth and breadth of experience. That allows for a reality
of any possible breadth and depth at either end of the yardstick, at either end
of the scale, the miraculous end or the horrifying end.
What I feel, surprising as it may seem, and it shouldn't seem surprising, I
feel that all of this that I've said just now, should enter into, or one should
do one's best to make it part of one's practice as an artist.
In fact all of it, all of it from beginning to end, all of what I've said right
through. I do feel that it has a kind of continuity, hope that it does and in
fact believe that it does.
The selection and treatment within his work are about self realisation in terms
of his place in the world. His interest in Zen Buddhism, phenomenology and the
principle writings of Husserl reflect his passion for resolving the divide
between the psyche and spirit and how these ideas are transcribed in art.
In Whisson's paintings he attempts to revise the process of art making, asking
for artists to reconsider their approach to technique and style. His work
reflects this approach, attempting to reinvent the process of painting,
suggesting a more personal and spiritual encounter.
His paintings offer a depiction of the world spirit, articulating the
relationship of humanity with the world both in a physical and metaphysical
existence. Amongst Whisson's subject matter are the big issues of self,
absolutes and the unknowable. His painting like his philosophy is a blending of
eastern and western beliefs. His paintings acknowledge the phenomena of what is
'knowable and experienced'; he attempts to make evident on the canvas what is
unable to be comprehensively defined. His work goes beyond decorative concerns
to demonstrate the concrete strength of abstraction to provide a serviceable
language of expression that goes beyond what is offered in realism. His work
presents the duality of the moment, the present moment depicted in the
painting, and infinity, an ever-lasting impression of the subject matter.
Historically the 20 and 21st century has been dominated by photography, however
it is the essence of such painter as Whisson who is able to capture the
spiritual in our existence, that which eludes current day technologies and
discloses the media of a painting's ability to depict the grand and often
invisible qualities of life.
By Craig Malyon
Questions on the Artist
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Ken Whisson's paintings relate to personal experiences with the artist trying
to articulate visually what cannot be described verbally. Discuss his work in
terms of the subjective frame. Make reference to his personal philosophy to art
and ideas.
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What is metaphysics and how does it relate to Whisson's art?
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Outline Whisson's approach to painting?
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"I have a pretty good appetite for reality, that I have digested enough of
reality to know that it has to be resisted, that this is the world surrounding
us..." How does this statement relate to Whisson's practice as an abstract
artist? Discuss.
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Whisson was interested in capturing the ephemeral qualities of the world in his
art. Make reference to at least one of his artworks from the Art Right Now 2
cd-rom and discuss his art making in response to the world.
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Jackson Pollock, Phillip Guston and Ken Whisson sought to explore a world
beyond what they saw. Examine how these three artists developed specific
philosophies about the method of making art.
Artists Connections
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Historical |
Contemporary |
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Jackson Pollock
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Anselm Kieffer
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Brice Marden
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Dale Frank
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Phillip Guston
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Brett Colquhun
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Willem de Kooning
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Mike Parr
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Adolph Gottlieb
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Kevin Connor
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Ashille Gorky
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Jennifer Joseph
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Andre Masson
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Judy Watson
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