Angela Brennan Essay Published Wednesday, 2 January 2002Lots of critics think I'm on a deliberate program to undermine modernism and
male abstract artists - I'm not at all. I adore them and appreciate them and I
just fee like in my work I'm extending the language of abstraction. I'm glad I
am a woman doing abstract painting.
Image: Spades of nebulae: the last three under the day, 122 x 107cm; oil on canvas; 1998
Lots of critics think I'm on a deliberate program to undermine modernism and
male abstract artists - I'm not at all. I adore them and appreciate them and I just feel like in my work I'm extending the language of abstraction. I'm glad I
am a woman doing abstract painting.
Brennan is a contemporary Australian abstract painter who acknowledges the
history of this style of painting but also wished to be an active catalyst in
its evolution. Her work is a conceptual and stylistic development of the abstract
expressionist works of the 1950's (Motherwell, Pollock, Marden and De
Kooning. It is also linked stylistically to work of the the Australian colour
field painters, first seen in the the exhibition The Field in 1968,
featuring Robert Rooney, Michael Johnson, David Aspen and Sydney Ball.
The discordant colours suggest to the viewer a sense of restlessness.
Spontaneity and an intuitive response to colour and mark making directs
Brennan's approach to painting, and the composition is governed by her response
to the painting as it develops rather than a planned exercise.
By Craig Malyon
Questions on the Artist
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Brennan suggests "that she approaches her art making in a highly personal
manner" dealing with a more intuitive response rather than formal
considerations to her painting. Discuss aspects of her art making, making
reference to the subjective frame.
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Colour is an important element in her paintings - select one artist from the
following list that also considered colour important to their art making and
evaluate the importance of colour in the practice - Wassily Kandinsky, Sonia
Delaunay, Franz Marc, Jules Olitski, Yves Klien.
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Do you think Brennan's paintings reflect a feminine quality? Why?
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Write a critical analysis on one of Brennan's paintings (refer to the
structural/subjective/postmodern aspects of the work).
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Brennan's paintings are a re-examination of the activities of abstract
expressionism, she recontextualises the work to take on a sense of humour and
utilises irony to critique the seriousness placed on this historic style. In
this manner her work reflects a postmodern approach to artmaking.
Do you agree? Give reasons for your response?
Artists Connections
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Historical |
Contemporary |
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Robert Motherwell
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Helga Groves
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Kenneth Nolan
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David Rankin
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Morris Louis
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Paul Partos
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Helen Frankenthaler
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Allan Mitelman
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Wassily Kandinsky
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Tim Maguire
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Sonia Delaunay
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Queenie McKenzie
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Mark Rothko
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ADS Donaldson
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